JADED BY the monotony of exhibits that yield to imitative styles and concepts, esteemed abstract artist Lindslee probes the nature of contemporary art while presenting artists’ continued struggle to survive in a world where art’s value lies on price tags in his exhibit titled Cliché Untitled. Lindsey James Lee, known in the art scene as “Lindslee,” compared today’s realm of art to a “stagnant river.” “Nagsawa na lang ako sa kakatingin ng exhibits na pare-pareho,” he said, admitting that he could no longer identify the difference between the artworks and the artists’ styles because of how similar and predictable they were. The artist’s favorite, Pain Thing, is a framed canvas exploding with dull colors that attempt to overpower each other. The colored bubbles are connected to
DURING HIS youth, Jose Rizal was, in many ways, just a simple teenager who had big dreams for himself and his country. As we commemorate the 119th year of his martyrdom, take a look at some interesting facts about his formative years while studying in the University of Santo Tomas (UST)—years before he became one of the cornerstones of our nation’s identity. 1. A second home Like most college students at present, Rizal resided in a dormitory to avoid the inconvenience of traveling to and from UST daily. He found a second home in Casa Tomasina, a boarding house at Calle 6, Santo Tomas, behind the walls of Intramuros. He shared it with friends from a secretive organization called Compañerismo or Compañeros de Jehu of which he was president and treasurer. 2. The unsettled
WHAT DOES it take for a Thomasian to earn a National Artist nomination? Filimon “Fil” Delacruz celebrates his past years in the arts scene through a solo exhibit titled “PARA/PHRASE: An Artist’s Journey in Fine Print and Painting.” A visit to the National Commission for Culture and Arts (NCCA) gallery while strolling along the streets of Intramuros is an addition to your to-do list before November ends. 1. Exploring circumstances in “Aftermath” Designed with various patterns and shapes which embrace the entirety of the canvas, “Aftermath” is a detailed work of art which expresses concern towards the degradation of natural resources and its implications for the health of humanity. It tackles the delusional reality of how humans isolate themselves from the environment, relying
WHAT WOULD you give to learn about Philippine regional literature, witness ethnic song and dance performances, and have coffee with a national artist? Donating a book as a ticket to this kind of a three-day celebration was certainly on the bucket list. Literature and performing arts enthusiasts gathered at the Cultural Center of the Philippines (CCP) at the launch of the first Performatura Festival last Nov. 6-8, 2015. Regional rescue of a cultural identity A king graced the halls of the Bulwagang Alagad ng Sining on Nov. 7, Saturday, during the Performatura Festival. However, Jaspe B. Dula did not acquire his kingship through blood or battle, nor did he rule over vast lands and kingdoms. Instead, the “King of Crissotan” earned his crown by being the most sonorous poet lau
IT IS AGAIN that time of the year when stories of ghostly creatures and haunting experiences are seen on television and heard on radio. But before the fame of vampires, werewolves, and zombies, the early people feared mythical creatures from their legends and folklore. Here are some scary creatures from around the world that would keep you on your toes when hit by wanderlust. MEXICO: La Llorona (The Weeping Woman) The story of La Llorona is popular among the Hispanics in Mexico and Southwest America. Maria was the most beautiful girl in her village. She married a young and handsome ranchero. They had two sons. It came to a time when she developed anger and jealousy as her husband grew bored of her, turning to other women and favoring the company of their sons instead. One v...
ART PATRONS assembled at the SM Aura Convention Center last Oct. 8 to 11 to view this year’s ManilArt. With the theme “Raising the Philippine Colors on the World Stage,” the country’s longest-running art fair showcased and uplifted Filipino pride and talent through visual arts such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, and photography. Let us explore some favorites and see why ManilArt has continued to amaze audiences for seven years and counting: 1. Ferdinand Cacnio's “Round and Round and Around We Go” There is that sweet spot when one is childlike and jaded—not trying, but in a state of arrival. One flies but his movement is tempered with caution. It would be foolish to be careless but then there is lightness in not going through